From Chapter 2:
It chaunc'd me gazing at the Theater,
To spie a Lock-Tabacco Chevalier
Clowding the loathing ayr with foggie fume
Of Dock Tobacco friendly foe to rhume—

says a versifier of 1599, who did not like smoking in the theatre and so abused the quality of the tobacco smoked—though admitting its medicinal virtue. Dekker suggests, probably with truth, that one reason why the young gallant liked to push his way to a stool on the stage, notwithstanding "the mewes and hisses of the opposed rascality"—the "mewes" must have been the squeals or whistles produced by the instrument which was later known as a cat-call—was the opportunity such a prominent position afforded for the display of "the best and most essential parts of a gallant—good cloathes, a proportionable legge, white hand, the Persian lock, and a tolerable beard." Apparently, too, serving-boys were within call, and thus lights could easily be obtained, which were handed to one another by the smokers on the points of their swords.

From Chapter 6:
There was clearly no prejudice against smoking at Cambridge. Abraham de la Pryme notes in his diary for the year 1694 that when it was rumoured in May of that year that a certain house opposite one of the colleges was haunted, strange noises being heard in it, several scholars of the college said, "Come, fetch us a good pitcher of ale, and tobacco and pipes, and wee'l sit up and see this spirit." The ale was duly provided, the pipes were lit, and the courageous smokers spent the night in the house, sitting "singing and drinking there till morning," but, alas! they neither saw nor heard anything.