From Chapter 3:
Tobacco's a musician,
And in a pipe delighteth,
It descends in a close
Through the organ of the nose
With a relish that inviteth.

These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of

From Chapter 7:
Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.

In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.